Everything is perfect for Judy and Johnny - the house is tidy, food is on the table, and Judy’s dress is perfectly pressed when she greets Johnny at the door, martini in hand.

It is the 1950s and life is ordered just right.

Or is it? Quickly the edges of this perfect life start to unravel, and things are not quite what they seem. Gender roles, relationships, and more are examined, explored and exploded in this dark comedy about sex, cake and the quest to be the perfect 1950s couple.

Everything is perfect for Judy and Johnny - the house is tidy, food is on the table, and Judy’s dress is perfectly pressed when she greets Johnny at the door, martini in hand.

It is the 1950s and life is ordered just right.

Or is it? Quickly the edges of this perfect life start to unravel, and things are not quite what they seem. Gender roles, relationships, and more are examined, explored and exploded in this dark comedy about sex, cake and the quest to be the perfect 1950s couple.

Everything is perfect for Judy and Johnny - the house is tidy, food is on the table, and Judy’s dress is perfectly pressed when she greets Johnny at the door, martini in hand.

It is the 1950s and life is ordered just right.

Or is it? Quickly the edges of this perfect life start to unravel, and things are not quite what they seem. Gender roles, relationships, and more are examined, explored and exploded in this dark comedy about sex, cake and the quest to be the perfect 1950s couple.

Everything is perfect for Judy and Johnny - the house is tidy, food is on the table, and Judy’s dress is perfectly pressed when she greets Johnny at the door, martini in hand.

It is the 1950s and life is ordered just right.

Or is it? Quickly the edges of this perfect life start to unravel, and things are not quite what they seem. Gender roles, relationships, and more are examined, explored and exploded in this dark comedy about sex, cake and the quest to be the perfect 1950s couple.

Everything is perfect for Judy and Johnny - the house is tidy, food is on the table, and Judy’s dress is perfectly pressed when she greets Johnny at the door, martini in hand.

It is the 1950s and life is ordered just right.

Or is it? Quickly the edges of this perfect life start to unravel, and things are not quite what they seem. Gender roles, relationships, and more are examined, explored and exploded in this dark comedy about sex, cake and the quest to be the perfect 1950s couple.

Everything is perfect for Judy and Johnny - the house is tidy, food is on the table, and Judy’s dress is perfectly pressed when she greets Johnny at the door, martini in hand.

It is the 1950s and life is ordered just right.

Or is it? Quickly the edges of this perfect life start to unravel, and things are not quite what they seem. Gender roles, relationships, and more are examined, explored and exploded in this dark comedy about sex, cake and the quest to be the perfect 1950s couple.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Jacob Marley was Scrooge’s business partner in life, and the closest thing he had to a friend. In death, he returns to issue Scrooge a warning, serving as a manifestation of the consequences of greed. He has earned his punishment due to the sins he committed in life and explains that Scrooge can expect the same, unless he changes his ways.

Marley’s presence kickstarts a series of events that leads to Scrooge’s transformation, and it also instills into the story a sense of urgency right from the beginning as Marley explains the depth of his suffering. He is weighed down by the chain of his sins; the links are forged of cashboxes, padlocks, ledgers, and steel purses, things the greedy businessman valued most highly when he was alive and which now constitute a fitting sort of eternal comeuppance. Marley informs Scrooge that he too has fashioned himself a chain, though his is invisible, and consists of an additional seven years’ worth of greed. Part of Marley’s punishment has been to watch Scrooge make the same mistakes he did, unable to warn him, and although Marley is granted no means of escaping his own fate, he capitalizes on the opportunity to warn his only friend.

Its story features only three characters: Deeley, Kate and Anna. On the surface, 'Old Times' offers the simple premise that Anna has come from Italy to visit an old friend Kate, and her husband Deeley in their house by the sea. Yet almost from the beginning there are tensions between the three characters, and an apparent contest for Kate's affection. While hostilities are rarely overtly expressed, the characters seems to be locked in a struggle for power which reaches back in to the past. Through conversations and reminiscences, their histories and personalities are exposed, but it seems unlikely that everything we hear is accurate, particularly as many of the accounts contradict each other. The question arises about whose memories are actually true.

Its story features only three characters: Deeley, Kate and Anna. On the surface, 'Old Times' offers the simple premise that Anna has come from Italy to visit an old friend Kate, and her husband Deeley in their house by the sea. Yet almost from the beginning there are tensions between the three characters, and an apparent contest for Kate's affection. While hostilities are rarely overtly expressed, the characters seems to be locked in a struggle for power which reaches back in to the past. Through conversations and reminiscences, their histories and personalities are exposed, but it seems unlikely that everything we hear is accurate, particularly as many of the accounts contradict each other. The question arises about whose memories are actually true.

Its story features only three characters: Deeley, Kate and Anna. On the surface, 'Old Times' offers the simple premise that Anna has come from Italy to visit an old friend Kate, and her husband Deeley in their house by the sea. Yet almost from the beginning there are tensions between the three characters, and an apparent contest for Kate's affection. While hostilities are rarely overtly expressed, the characters seems to be locked in a struggle for power which reaches back in to the past. Through conversations and reminiscences, their histories and personalities are exposed, but it seems unlikely that everything we hear is accurate, particularly as many of the accounts contradict each other. The question arises about whose memories are actually true.

Its story features only three characters: Deeley, Kate and Anna. On the surface, 'Old Times' offers the simple premise that Anna has come from Italy to visit an old friend Kate, and her husband Deeley in their house by the sea. Yet almost from the beginning there are tensions between the three characters, and an apparent contest for Kate's affection. While hostilities are rarely overtly expressed, the characters seems to be locked in a struggle for power which reaches back in to the past. Through conversations and reminiscences, their histories and personalities are exposed, but it seems unlikely that everything we hear is accurate, particularly as many of the accounts contradict each other. The question arises about whose memories are actually true.

Its story features only three characters: Deeley, Kate and Anna. On the surface, 'Old Times' offers the simple premise that Anna has come from Italy to visit an old friend Kate, and her husband Deeley in their house by the sea. Yet almost from the beginning there are tensions between the three characters, and an apparent contest for Kate's affection. While hostilities are rarely overtly expressed, the characters seems to be locked in a struggle for power which reaches back in to the past. Through conversations and reminiscences, their histories and personalities are exposed, but it seems unlikely that everything we hear is accurate, particularly as many of the accounts contradict each other. The question arises about whose memories are actually true.

Its story features only three characters: Deeley, Kate and Anna. On the surface, 'Old Times' offers the simple premise that Anna has come from Italy to visit an old friend Kate, and her husband Deeley in their house by the sea. Yet almost from the beginning there are tensions between the three characters, and an apparent contest for Kate's affection. While hostilities are rarely overtly expressed, the characters seems to be locked in a struggle for power which reaches back in to the past. Through conversations and reminiscences, their histories and personalities are exposed, but it seems unlikely that everything we hear is accurate, particularly as many of the accounts contradict each other. The question arises about whose memories are actually true.

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary’s husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can’t decide on the baby’s name, or the baby’s gender. A story of one woman’s education and her search to find true love outside the box.

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary’s husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can’t decide on the baby’s name, or the baby’s gender. A story of one woman’s education and her search to find true love outside the box.

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary’s husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can’t decide on the baby’s name, or the baby’s gender. A story of one woman’s education and her search to find true love outside the box.

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary’s husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can’t decide on the baby’s name, or the baby’s gender. A story of one woman’s education and her search to find true love outside the box.

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary’s husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can’t decide on the baby’s name, or the baby’s gender. A story of one woman’s education and her search to find true love outside the box.

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary’s husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can’t decide on the baby’s name, or the baby’s gender. A story of one woman’s education and her search to find true love outside the box.